I saw Elvis last night.
OK, it was the Jewish Elvis, but still....
Please don't ask me why, but I went to see Neil Diamond in concert at Key Arena last night. Don't pretend you don't know who Neil Diamond is. Remember this album cover?

Neil Diamond is 64 years old and still rockin'. Wait. "Rockin'" probably isn't the best adjective to describe The Elder Stateman of Kitsch and Ugly Shirts. He is a sort of living legend, a cultural treasure. Yes, he's cheesy but we love him anyway. There's something admirable about an old man crooning, making love to his adoring fans. He kind of reminded me of an aged, attention-hungry college professor, winking at 19 year old co-eds in the front row and hinting at a daring life whose daring has long since passed.
My concert experience last night was pretty much the opposite of what occurred at a Jewel concert I went to a few years ago. (Wow, did I just admit I went to a Jewel concert? Oh well... I *am* writing about Neil Diamond, after all. I have suspended all pretense of pride by now). At Jewel, *I* was the elder statesman at 25 years old, informally chaperoning girls half my age and feeling rather self-conscious, shrinking into my seat lest anyone recognize me. Last night, I felt proud to be witnessing the Master of Melodrama himself, an icon from my mother's generation, a star who did NOT overdose on pills or become a shrill, annoying, impotent political spokesperson -- who instead survived the 60's AND 70's without sanctimony and continues to do exactly what he enjoys. Who's going to tell him to stop? Go ahead and try -- he'll just turn down his hearing aid.
I know who WON'T tell him to stop: the 40-something women dressed as though they wished they were 20-something, the mulleted refugees from whatever monster truck show recently let out at the Tacoma Dome, and the rotund lesbians seated in front of me who looked like they hadn't budged since the end of the Seattle Storm basketball season a few weeks ago.
This country has far too few cultural icons. We are definitively a derivative society. Neil Diamond is generally too inconspcious to have been the source of many derivations (UB40's Red Red Wine is a notable exception), yet he is still the one and only Neil Diamond. I had to choke back my own vomit while watching seagulls soaring across the sunset-drenched horizon on the Jumbotron while Diamond sang from Jonathan Livingston Seagull, but I still admire his courage in resorting (and PERSISTING) to such cornball showmanship. During the seagull montage, I thought I heard my friend Julie mutter "...what the...?" so I leaned over to her and said "I don't really remember the 70's much, but apparently most people spent that decade stoned."
And I really have no problem with that.
OK, it was the Jewish Elvis, but still....
Please don't ask me why, but I went to see Neil Diamond in concert at Key Arena last night. Don't pretend you don't know who Neil Diamond is. Remember this album cover?

Neil Diamond is 64 years old and still rockin'. Wait. "Rockin'" probably isn't the best adjective to describe The Elder Stateman of Kitsch and Ugly Shirts. He is a sort of living legend, a cultural treasure. Yes, he's cheesy but we love him anyway. There's something admirable about an old man crooning, making love to his adoring fans. He kind of reminded me of an aged, attention-hungry college professor, winking at 19 year old co-eds in the front row and hinting at a daring life whose daring has long since passed.
My concert experience last night was pretty much the opposite of what occurred at a Jewel concert I went to a few years ago. (Wow, did I just admit I went to a Jewel concert? Oh well... I *am* writing about Neil Diamond, after all. I have suspended all pretense of pride by now). At Jewel, *I* was the elder statesman at 25 years old, informally chaperoning girls half my age and feeling rather self-conscious, shrinking into my seat lest anyone recognize me. Last night, I felt proud to be witnessing the Master of Melodrama himself, an icon from my mother's generation, a star who did NOT overdose on pills or become a shrill, annoying, impotent political spokesperson -- who instead survived the 60's AND 70's without sanctimony and continues to do exactly what he enjoys. Who's going to tell him to stop? Go ahead and try -- he'll just turn down his hearing aid.
I know who WON'T tell him to stop: the 40-something women dressed as though they wished they were 20-something, the mulleted refugees from whatever monster truck show recently let out at the Tacoma Dome, and the rotund lesbians seated in front of me who looked like they hadn't budged since the end of the Seattle Storm basketball season a few weeks ago.
This country has far too few cultural icons. We are definitively a derivative society. Neil Diamond is generally too inconspcious to have been the source of many derivations (UB40's Red Red Wine is a notable exception), yet he is still the one and only Neil Diamond. I had to choke back my own vomit while watching seagulls soaring across the sunset-drenched horizon on the Jumbotron while Diamond sang from Jonathan Livingston Seagull, but I still admire his courage in resorting (and PERSISTING) to such cornball showmanship. During the seagull montage, I thought I heard my friend Julie mutter "...what the...?" so I leaned over to her and said "I don't really remember the 70's much, but apparently most people spent that decade stoned."
And I really have no problem with that.

